Two Actors Playing Eight Different Roles!

Daina Michelle Griffith & Erika Cuenca - Photo by Heather Mull
Lucid!  Comedic!  Unsettling!  Riveting! Provocative!  The Zero Hour, written by Madeleine George and directed by Robyne Parrish, will fascinate you to the end.  Rebecca, a writer, and her chronically unemployed girlfriend O, struggle to overcome the building tension in their lesbian relationship.  Rebecca wants to remain closeted while O is Out.  You won’t be able to help but to become emotionally involved with the characters as these two actors seamlessly transition from one role to another, right before your very eyes.

A thoughtful play that is perfect for an intimate Pittsburgh theater experience.  Tickets on sale now.

About Erika Cuenca (Rebecca): Erika is so very happy to be back at Off The Wall, working with such an awesome group of people.  Locally, she has also worked with The Pittsburgh Playhouse Repertory Co., City Theatre, Quantum Theatre, Pittsburgh Playwrights, and Pittsburgh Irish and Classical Theatre. Erika is a graduate of The Conservatory of Performing Arts of Point Park College.

About Daina Michelle Griffith (O): Daina is grateful to be back at Off The Wall for her second production with this exciting company, having worked under the direction of Ms. Parrish earlier this year in OTW's Looking For The Pony. Most recent credits include All My Sons with The REP, Viva Los Bastarditos! with No Name Players, A Streetcar Named Desire with Bricolage-In The Raw, and John Gabriel Borkman with Quantum. She's performed with theatres across the country and in NYC, including Kansas City Starlight, Human Race Theatre, Gateway Playhouse, heXtc, NYC International Fringe Festival, among others. Locally: Pittsburgh Public Theater, Quantum Theatre, PICT, City Theatre, Bricolage, Carrnivale Theatrics, Pittsburgh CLO, Pittsburgh Musical Theater and Prime Stage. Film: The Dark Knight Rises (Foley's wife), Love and Other Drugs, Civilians. Up next: Well at Off The Wall.


Comments

Post a Comment

Popular posts from this blog

Celebrating family and friends in 2019

Image
Thank you for making 2018 so special As 2019 starts to gear up, we’re left remembering the many moments we’ve shared with you in 2018. It was a great year and we hope to make 2019 even better! We sincerely offer our most heartful ‘thank you’ to our creative partners, patrons, employees, and collaborators – Carnegie Stage and off the WALL surely wouldn’t be the same without every single one of you who make up our humble little community. From the bottom of our hearts, we’re happy to have you as part of our family. Erika Cuenca - Virginia Wall Gruenert Byhalia, Mississippi, May 2018 If you’d like to join the Carnegie Stage/off the WALL family, consider donating – no amount it too big or too small… and every little bit helps! With your help we are able to pay EVERY single person who works for us – there are no volunteers; only paid employees. We believe all working artists deserve to make a living doing what they love. To help support our cause, consider donating monthly or a
Read more

God bless us, every one

Image
A Christmas Carol unlike you’ve ever experienced... “Storytelling at its absolute finest.” - Pittsburgh City Paper “... a truly transformative evening” The Pittsburgh Current "A Christmas Carol at Carnegie Stage Gets Dickens Right" PGH Lesbian Correspondents Written by: Brianne Mueller We’re approaching week three of our run of A CHRISTMAS CAROL and it’s been a wonderful whirlwind experience. The newest version of this classic Charles Dickens tale -- performed and adapted by Mark Coffin, and directed and co-adapted by Heidi Mueller Smith -- is unlike any theatrical journey to have ever graced a stage in Pittsburgh, let alone in Carnegie. Mark Coffin - A Christmas Carol Photo by Heather Mull The 1843 novella written by Charles Dickens has been adapted from page to stage countless times and has practically become synonymous with the American Christmas season. Unlike its many predecessors, Coffin manifests all 16 or so characters in his one-man version of the pl
Read more

Women Count at at off the WALL

WOMEN COUNT In case you missed the theatre industry’s gender parity movement, here’s a recap: women have been writing plays for millennia and landing productions for centuries.   Over time, they’ve also come to play key roles onstage and backstage.   But female theatre artists of all kinds still find themselves bonking their heads on a glass ceiling known as the “glass curtain.”   Even today, female playwrights, directors, and designers are atypical.   Shakespearian gender-swapping has been mooted as a partial solution; however, such theatrical “novelty” only serves to distract from the main issue – the absence of contemporary dramas reflecting the complexity of women’s lives.   Cross-gender casting fails to question the over-representation of dead and living male playwrights.   It does not address the fact that half our contemporary creative world is missing. In an essay in howlround.com, Jenny Lyn Bader writes: “We live in a world dominated by male imagination. (Men) writ
Read more