The Zero Hour: A Good Looking Man Flirts with an Unassuming Lesbian

John Steffenauer & Erika Cuenca - Photo by Heather Mull
What would a play about two lesbians in an almost-love relationship be without a good looking man?  In comes Doug.  Is Rebecca, who is not ready to come out of the closet, not even to please her lover O, really a lesbian? Is Doug the man who commands an answer?  Although Doug’s entrance occurs near the end of the play and only for a single scene, it is a scene you won’t soon forget.

In a review by Dave Zuchowski via his Owlscribe blog, Dave focuses in on Doug’s character, stating  “John Steffenauer as Doug, Rebecca’s bar encounter, is also a strong presence in a diminutive role…”  Dave also gives credit to the sound designer, Ryan McMasters, for doing a “great job incorporating Hitler speeches in the sound tract that evokes the mood of Nazi Germany along with snippets of beautiful singing from Mozart’s opera, "The Magic Flute," as well as some captivating music in the bar scene I’d like to get my own hands on.”  The bar scene music referred to helps to bring presence to John’s character and is a perfect selection for a flirtatious scene, where Rebecca finally finds and reveals her authentic self.

A perfect play for a small, intimate Pittsburgh Theater. Click here for more information and tickets. Playing through November 9, 2013.

John Steffenauer

About John Steffenauer (Doug): A few recent Pittsburgh credits include: Brandon in Rope and The Poet in La Ronde, both with the REP at the Playhouse; Anthony in The House of Yes, here at Off The Wall; Jim in Prime Stage's The Glass Menagerie, and Chris in Killer Joe, with barebones productions. Thanks to Robyne, Ginny, and Hans for the opportunity.

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