Risers nearly done, first layer of " sprung " stage floor is in. Air-condition ducts are being re-configured.
Electrical wiring being run, control booth is framed, wired and ready to be walled in. Slowly but surely...
In this two-part blog, I’m going to focus not on the play itself, but on the set. Why? Because quite simply the set is astonishing! If you’ve been keeping up with our blogs, you already know that our current production Ghosts is set in the early 1880’s, that it was written by Norwegian playwright Henrik Isben and that though it is a revered classic today, it was considered absolutely scandalous in its time. The exposed secrets and immoralities conflicted with society’s moral taboos. If you’d like to learn more about the history of the play, the storyline, the characters or director, please peruse our recent posts. Scenic Design: Rich Preffer In the meantime, let’s take a look at the set. The set design, by Rich Preffer, captures the essence of the play. The mood. The character. The unsaid meanings and implications. The set itself includes a cage like structure, including a canopy structure, which encompasses the entire set. Looking at the set, you at once feel both the sense of h...
Thank you for making 2018 so special As 2019 starts to gear up, we’re left remembering the many moments we’ve shared with you in 2018. It was a great year and we hope to make 2019 even better! We sincerely offer our most heartful ‘thank you’ to our creative partners, patrons, employees, and collaborators – Carnegie Stage and off the WALL surely wouldn’t be the same without every single one of you who make up our humble little community. From the bottom of our hearts, we’re happy to have you as part of our family. Erika Cuenca - Virginia Wall Gruenert Byhalia, Mississippi, May 2018 If you’d like to join the Carnegie Stage/off the WALL family, consider donating – no amount it too big or too small… and every little bit helps! With your help we are able to pay EVERY single person who works for us – there are no volunteers; only paid employees. We believe all working artists deserve to make a living doing what they love. To help support our cause, consider donating monthly or a...
Ingrid Sonnichsen and Erika Cuenca - Photo by Heather Mull Amanda (Erika Cuenca), a 25-year-old woman trying to make it in a man’s world, finds herself giving up on her own dreams to support the dreams of her almost-famous fiancé Jack (Andrew Wind), while also dealing with the troubles in her parents’ marriage. Though she may feel alone with her troubles, not only are her challenges similar to those of many women of her own generation, Amanda finds out that her struggles at this stage of her life are the same struggles that her mother dealt with at a similar age. They are, no doubt, the challenges of womanhood. Amanda’s mother (Ingrid Sonnichsen), struggling with her own loss from neglecting her lifelong dreams, does not want to see Amanda suffer the same consequences. She wants Amanda to be happy and fulfilled, and fears that if Amanda goes through with her marriage to the almost-famous Jack, Amanda will be in the same situation as herself in 25-30 years. ...
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