Risers nearly done, first layer of " sprung " stage floor is in. Air-condition ducts are being re-configured.
Electrical wiring being run, control booth is framed, wired and ready to be walled in. Slowly but surely...
In this two-part blog, I’m going to focus not on the play itself, but on the set. Why? Because quite simply the set is astonishing! If you’ve been keeping up with our blogs, you already know that our current production Ghosts is set in the early 1880’s, that it was written by Norwegian playwright Henrik Isben and that though it is a revered classic today, it was considered absolutely scandalous in its time. The exposed secrets and immoralities conflicted with society’s moral taboos. If you’d like to learn more about the history of the play, the storyline, the characters or director, please peruse our recent posts. Scenic Design: Rich Preffer In the meantime, let’s take a look at the set. The set design, by Rich Preffer, captures the essence of the play. The mood. The character. The unsaid meanings and implications. The set itself includes a cage like structure, including a canopy structure, which encompasses the entire set. Looking at the set, you at once feel both the sense of h...
What do we want to be when we grow up? For us this has become an existential question in more ways than one. Let''s have a look back at the past five years and then... May 2014 Inky Written by: Rinne Groff Directed by Ingrid Sonnichsen With: Tony Bingham* (Greg), Abby Quatro* (Inky), Adrienne Wehr* (Barbara), and on alternating nights Evangelina Paul & Layla Wyoming (Allison) A love-starved Manhattanite husband and wife struggle to satisfy their child-like desire to "have it all" during the high-rolling, morally skewed 1980s. When they take in Inky, a young Slavic nanny who's obsessed with Muhammad Ali, to care for their nine-year-old daughter and infant son, they are forced to face both their limitations and their potential for change. Inky is a darkly comic story about the importance of fighting back. Reviews: "One of the most interesting productions I’ve seen for a while simply because just when you thought you had each o...
WOMEN COUNT In case you missed the theatre industry’s gender parity movement, here’s a recap: women have been writing plays for millennia and landing productions for centuries. Over time, they’ve also come to play key roles onstage and backstage. But female theatre artists of all kinds still find themselves bonking their heads on a glass ceiling known as the “glass curtain.” Even today, female playwrights, directors, and designers are atypical. Shakespearian gender-swapping has been mooted as a partial solution; however, such theatrical “novelty” only serves to distract from the main issue – the absence of contemporary dramas reflecting the complexity of women’s lives. Cross-gender casting fails to question the over-representation of dead and living male playwrights. It does not address the fact that half our contemporary creative world is missing. In an essay in howlround.com, Jenny Lyn Bader writes: “We live in a world dominated by...
Comments
Post a Comment