Off The Wall Moving to Carnegie

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GHOSTS: A SET IN THE MAKING (PART 1)

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In this two-part blog, I’m going to focus not on the play itself, but on the set. Why? Because quite simply the set is astonishing! If you’ve been keeping up with our blogs, you already know that our current production Ghosts is set in the early 1880’s, that it was written by Norwegian playwright Henrik Isben and that though it is a revered classic today, it was considered absolutely scandalous in its time. The exposed secrets and immoralities conflicted with society’s moral taboos. If you’d like to learn more about the history of the play, the storyline, the characters or director, please peruse our recent posts. Scenic Design: Rich Preffer In the meantime, let’s take a look at the set. The set design, by Rich Preffer, captures the essence of the play. The mood. The character. The unsaid meanings and implications. The set itself includes a cage like structure, including a canopy structure, which encompasses the entire set. Looking at the set, you at once feel both the sense of h...
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God bless us, every one

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A Christmas Carol unlike you’ve ever experienced... “Storytelling at its absolute finest.” - Pittsburgh City Paper “... a truly transformative evening” The Pittsburgh Current "A Christmas Carol at Carnegie Stage Gets Dickens Right" PGH Lesbian Correspondents Written by: Brianne Mueller We’re approaching week three of our run of A CHRISTMAS CAROL and it’s been a wonderful whirlwind experience. The newest version of this classic Charles Dickens tale -- performed and adapted by Mark Coffin, and directed and co-adapted by Heidi Mueller Smith -- is unlike any theatrical journey to have ever graced a stage in Pittsburgh, let alone in Carnegie. Mark Coffin - A Christmas Carol Photo by Heather Mull The 1843 novella written by Charles Dickens has been adapted from page to stage countless times and has practically become synonymous with the American Christmas season. Unlike its many predecessors, Coffin manifests all 16 or so characters in his one-man version of the pl...
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Pittsburgh Theater and off the WALL Part VIII

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March 2014         A Feminine Ending Written by Sarah Treem Directed by Matt Morrow With: Erika Cuenca*, Ingrid Sonnichsen*, Weston Blakesley*, Shaun Cameron Hall, Andrew Wind* Amanda wants to be a great composer, but she’s in a profession that only recognizes famous men. At the moment, she's living in New York City and writing advertising jingles to pay the rent while her almost-famous fiancé, Jack, pursues his singing career. Her parents are getting divorced, her first love reappears, and there's a lot of noise in her head, but none of it is music. Until the end. A gentle, bittersweet comedy about a young woman who knows what she wants but not quite how to get it. Reviews: "...the play is really a showcase for Erika Cuenca as Amanda, who, in a mammoth performance of intense focus and rock-ribbed conviction, keeps reminding us of the humanity deep inside Treem’s compelling script." - Ted Hoover - City Paper “... the electricity between them and the...
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