WHAT SHAPES YOUR PERSPECTIVE?

Perspectives (as), the current production from fireWALL Dance Theater, is a series of intertwined solos from dancers Carlotta Storelli and Elisa-Marie Alaio that crosses borders and erases boundaries when it culminates in a thrilling joint performance.
fireWALL dance theater - Carlotta Storelli

The show adventurously explores the question of how we perceive our world, how we see ourselves, and how we create perspectives in others. The struggle to understand and be understood is a major theme of the production: how do we communicate with ourselves and with one another? How do we take what’s inside of us and bring it forth? When is it ever safe to take off the masks we wear in public and reveal our true nature, stark and naked, to the world?

Storelli (a Swiss native, trained in Switzerland, France, Italy and Spain) and Alaio (originally from New York City) present a moving drama that compels us to challenge our ordinary perspective and move into an expanded view of what’s possible when we deeply connect with others.

Limited showing: Only four dates and five performances, before worldly borders again separate these two dancers. Don’t miss your chance to experience this unique dance production. Purchase your tickets today.

Performances: March 26, 27, 28 @ 8 PM
Matinee March 28 & 29 at 3 PM

 Learn More or Purchase Tickets

Featuring Elisa-Marie Alaio & Carlotta Storelli
Choreographed by Jenna Rae Smith and Carlotta Storelli

Original music for Ms. Alaio by Ryan McMasters
Original music for Ms. Storelli by Jan Huge Saabye
Location: Carnegie, PA 15106, USA

Comments

Post a Comment

Popular posts from this blog

Women Count at at off the WALL

WOMEN COUNT In case you missed the theatre industry’s gender parity movement, here’s a recap: women have been writing plays for millennia and landing productions for centuries.   Over time, they’ve also come to play key roles onstage and backstage.   But female theatre artists of all kinds still find themselves bonking their heads on a glass ceiling known as the “glass curtain.”   Even today, female playwrights, directors, and designers are atypical.   Shakespearian gender-swapping has been mooted as a partial solution; however, such theatrical “novelty” only serves to distract from the main issue – the absence of contemporary dramas reflecting the complexity of women’s lives.   Cross-gender casting fails to question the over-representation of dead and living male playwrights.   It does not address the fact that half our contemporary creative world is missing. In an essay in howlround.com, Jenny Lyn Bader writes: “We live in a world dominated by male imagination. (Men) writ
Read more

GHOSTS: A SET IN THE MAKING (PART 1)

Image
In this two-part blog, I’m going to focus not on the play itself, but on the set. Why? Because quite simply the set is astonishing! If you’ve been keeping up with our blogs, you already know that our current production Ghosts is set in the early 1880’s, that it was written by Norwegian playwright Henrik Isben and that though it is a revered classic today, it was considered absolutely scandalous in its time. The exposed secrets and immoralities conflicted with society’s moral taboos. If you’d like to learn more about the history of the play, the storyline, the characters or director, please peruse our recent posts. Scenic Design: Rich Preffer In the meantime, let’s take a look at the set. The set design, by Rich Preffer, captures the essence of the play. The mood. The character. The unsaid meanings and implications. The set itself includes a cage like structure, including a canopy structure, which encompasses the entire set. Looking at the set, you at once feel both the sense of h
Read more

Celebrating family and friends in 2019

Image
Thank you for making 2018 so special As 2019 starts to gear up, we’re left remembering the many moments we’ve shared with you in 2018. It was a great year and we hope to make 2019 even better! We sincerely offer our most heartful ‘thank you’ to our creative partners, patrons, employees, and collaborators – Carnegie Stage and off the WALL surely wouldn’t be the same without every single one of you who make up our humble little community. From the bottom of our hearts, we’re happy to have you as part of our family. Erika Cuenca - Virginia Wall Gruenert Byhalia, Mississippi, May 2018 If you’d like to join the Carnegie Stage/off the WALL family, consider donating – no amount it too big or too small… and every little bit helps! With your help we are able to pay EVERY single person who works for us – there are no volunteers; only paid employees. We believe all working artists deserve to make a living doing what they love. To help support our cause, consider donating monthly or a
Read more