GHOSTS: A SET REVIEWED (PART 2)
n this second part of our blog on the set of Ghosts,designed by Rich Preffer, we take a look at what local theater critics around Pittsburgh had to say about the set itself. If you missed Part 1, a Set in the Making, click here to learn the story behind the building of this astonishing set.
So let’s get right to it! Dave Zuchowski hit the nail on the head in his review when he stated that the set is an abstract, claustrophobic representation of the emotional constraints.
The remarkable set by scenic designer, Rich Preffer is both a realistic depiction of a Scandinavian parlor at the end of the 19th century and an abstract, claustrophobic representation of the emotional constraints suggested by Iben’s theme. He manages this by enclosing the set in a cage-like devise suspended over the top of the stage that’s a contrast to the lofty mountainous landscape seen out the parlor window and continuing on both sides of the set.
Dave Zuchowski of Pittsburgh Owl Scribe, review
Pittsburgh Stage Review handily recognized the boundaries imparted by the set and took it a step farther by pointing out that these boundaries enhanced the pleasure of the viewing experience.
Off the Wall is already a small space, made even more intimate by the quaint sitting room presented onstage. Ghosts sets up clear boundaries and lets its audience enjoy the simple act of watching. This sound obvious, I know, but I found this refreshing after having seen a few plays recently that ham it up to the audience.
The Pittsburgh Stage Online Magazine, review
Mike Buzzelli also made a point to credit Rich Preffer on his set design, pointing out the wooden lattice, which Rich refers to as the birdcage. Aside from a terrific and talented cast, Rich Preffer makes the most of the set. The scenic designer’s Victorian drawing room seems expansive in the intimate space. The gorgeously rendered wooden lattice set goes a long way to making the space feel bigger and broader than it is.
Mike “Buzz” Buzzelli, ‘Burgh Vivant, review
Now showing through March 14, be sure to get your tickets so you can see this astounding set, which the designer happens to call his favorite to date. Click here to read the first blog on the making of the set.
GHOSTS
A Pittsburgh Theater Premiere
Feb 27-28, Mar 5-7, 12-14 @ 8:00 PM
Matinee Mar 1 & 8 @ 3 PM
Written by: Henrik Ibsen
Adapted by: Virginia Wall Gruenert
Directed by: Simm Landres
With: Virginia Wall Gruenert*, Ken Bolden*, Shaun Cameron Hall, Sarah Silk*, Weston Blakesley*
So let’s get right to it! Dave Zuchowski hit the nail on the head in his review when he stated that the set is an abstract, claustrophobic representation of the emotional constraints.
The remarkable set by scenic designer, Rich Preffer is both a realistic depiction of a Scandinavian parlor at the end of the 19th century and an abstract, claustrophobic representation of the emotional constraints suggested by Iben’s theme. He manages this by enclosing the set in a cage-like devise suspended over the top of the stage that’s a contrast to the lofty mountainous landscape seen out the parlor window and continuing on both sides of the set.
Dave Zuchowski of Pittsburgh Owl Scribe, review
Pittsburgh Stage Review handily recognized the boundaries imparted by the set and took it a step farther by pointing out that these boundaries enhanced the pleasure of the viewing experience.
Off the Wall is already a small space, made even more intimate by the quaint sitting room presented onstage. Ghosts sets up clear boundaries and lets its audience enjoy the simple act of watching. This sound obvious, I know, but I found this refreshing after having seen a few plays recently that ham it up to the audience.
The Pittsburgh Stage Online Magazine, review
Mike Buzzelli also made a point to credit Rich Preffer on his set design, pointing out the wooden lattice, which Rich refers to as the birdcage. Aside from a terrific and talented cast, Rich Preffer makes the most of the set. The scenic designer’s Victorian drawing room seems expansive in the intimate space. The gorgeously rendered wooden lattice set goes a long way to making the space feel bigger and broader than it is.
Mike “Buzz” Buzzelli, ‘Burgh Vivant, review
Now showing through March 14, be sure to get your tickets so you can see this astounding set, which the designer happens to call his favorite to date. Click here to read the first blog on the making of the set.
GHOSTS
A Pittsburgh Theater Premiere
Feb 27-28, Mar 5-7, 12-14 @ 8:00 PM
Matinee Mar 1 & 8 @ 3 PM
Written by: Henrik Ibsen
Adapted by: Virginia Wall Gruenert
Directed by: Simm Landres
With: Virginia Wall Gruenert*, Ken Bolden*, Shaun Cameron Hall, Sarah Silk*, Weston Blakesley*
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