Pittsburgh Theater - Scared of Sarah

Add caption

PITTSBURGH THEATER – OPENING NIGHT: SCARED OF SARAH


This holiday season, you’ll likely see all types of families while you’re out and about. Some families may seem filled with holiday cheer, while others may appear stressed. Some may look happy, while others may look sad. When you take the time to compare families, it’s easy to see that every family is unique. What’s not apparent, is that every family unit – and every individual for that matter, whether it’s obvious or not, is at some point struggling with their own issues and challenges.

Shaun Cameron Hall and Erika Cuenca – photo by Heather Mull

We all have our unique differences and we all have our fears. This is the case with Lily and Sam, an upwardly mobile young couple having the time of their life before having a family. So when Lily finds out she’s pregnant, crisis mode sets in. Sam wonders how they’ll support a baby. They’re not ready yet and they owe more than one hundred thousand dollars in loans. Lily fears the unknown. Her sister Sarah has Autism Spectrum Disorder, and though she works and lives on her own, and looks ‘normal,’ she does not process the universe in the same way as others. Lily fears that her baby will be like Sarah, and that her baby may not be able to stand being held or touched. Lily even fears for the worst – what if she can’t love her own child?

This is the basis of our upcoming play, Scared of Sarah, which opens December 4th. Laura Brienza bravely depicts all of the emotions and reactions brought up by the effect that Autistic Spectrum Disorder has on families. Her writing is raw, honest, and at times heartbreaking. But just like life, it is not without humor.

Performances: December 4-5, 10-12, and 16-19 @ 8:00 PM
Matinee on December 6 and 13 at 3:00 PM

Written by: Laura Brienza
Directed by: Ingrid Sonnichsen

Featuring: Erika Cuenca*, Sarah Silk*, Shaun Cameron Hall*

Learn More or Purchase Individual Tickets

CARNEGIE STAGE | a Pittsburgh Theater
25 West Main, Carnegie, PA 15106 | 6 miles from downtown Pittsburgh

Comments

Post a Comment

Popular posts from this blog

Celebrating family and friends in 2019

Image
Thank you for making 2018 so special As 2019 starts to gear up, we’re left remembering the many moments we’ve shared with you in 2018. It was a great year and we hope to make 2019 even better! We sincerely offer our most heartful ‘thank you’ to our creative partners, patrons, employees, and collaborators – Carnegie Stage and off the WALL surely wouldn’t be the same without every single one of you who make up our humble little community. From the bottom of our hearts, we’re happy to have you as part of our family. Erika Cuenca - Virginia Wall Gruenert Byhalia, Mississippi, May 2018 If you’d like to join the Carnegie Stage/off the WALL family, consider donating – no amount it too big or too small… and every little bit helps! With your help we are able to pay EVERY single person who works for us – there are no volunteers; only paid employees. We believe all working artists deserve to make a living doing what they love. To help support our cause, consider donating monthly or a
Read more

God bless us, every one

Image
A Christmas Carol unlike you’ve ever experienced... “Storytelling at its absolute finest.” - Pittsburgh City Paper “... a truly transformative evening” The Pittsburgh Current "A Christmas Carol at Carnegie Stage Gets Dickens Right" PGH Lesbian Correspondents Written by: Brianne Mueller We’re approaching week three of our run of A CHRISTMAS CAROL and it’s been a wonderful whirlwind experience. The newest version of this classic Charles Dickens tale -- performed and adapted by Mark Coffin, and directed and co-adapted by Heidi Mueller Smith -- is unlike any theatrical journey to have ever graced a stage in Pittsburgh, let alone in Carnegie. Mark Coffin - A Christmas Carol Photo by Heather Mull The 1843 novella written by Charles Dickens has been adapted from page to stage countless times and has practically become synonymous with the American Christmas season. Unlike its many predecessors, Coffin manifests all 16 or so characters in his one-man version of the pl
Read more

Women Count at at off the WALL

WOMEN COUNT In case you missed the theatre industry’s gender parity movement, here’s a recap: women have been writing plays for millennia and landing productions for centuries.   Over time, they’ve also come to play key roles onstage and backstage.   But female theatre artists of all kinds still find themselves bonking their heads on a glass ceiling known as the “glass curtain.”   Even today, female playwrights, directors, and designers are atypical.   Shakespearian gender-swapping has been mooted as a partial solution; however, such theatrical “novelty” only serves to distract from the main issue – the absence of contemporary dramas reflecting the complexity of women’s lives.   Cross-gender casting fails to question the over-representation of dead and living male playwrights.   It does not address the fact that half our contemporary creative world is missing. In an essay in howlround.com, Jenny Lyn Bader writes: “We live in a world dominated by male imagination. (Men) writ
Read more