Dreams Unrealized

Erika Cuenca and Ingrid Sonnichsen
Photo by Heather Mull
Do you have unrealized dreams?  Is so, you’re not alone.

Come see the hilarious comedy that spans the generations.  A Feminine Ending, by Sarah Treem, is about the crossroads of life’s decisions and following, or not following, your dreams.  Amanda (Erika Cuenca), a young composer in a man’s world, is giving up her dreams in order to be the fiancé of the almost famous Jack, a soon to be music star!

Could it be that Amanda’s mother (Ingrid Sonnichsen), when presented with similar life altering decisions at the same tender age, also gave up her dreams?  Is Amanda about to embark on a similar journey, thus repeating her mother’s life?  Enjoy an evening at the theater to find out the inspirational turn of events in the lives of each of these women.  Click here to purchase tickets or learn more.

Appealingly outlandish humor.” – The New York Times
If you haven’t been to our local Pittsburgh theater, you’ll be pleasantly surprised by the intimate space, where every seat is a good seat.


A Feminine Ending
Written by Sarah Treem.  Directed by: Matt M. Morrow
Running through March 15, 2014
Click here to learn more or to purchase tickets.

Starring: Erika Cuenca, Ingrid Sonnichsen, Andrew Wind, Shaun Cameron Hall, and Weston Blakesley

Off The Wall | Pittsburgh Theater - Broadway Magic
Only 6 miles from downtown.  Parking is free. Enjoy a beverage from The Carnegie Coffee Company before the show.


Selected Bios

About Ingrid Sonnichsen (Kim): has acted professionally for over thirty-five years in regional theaters such as the Huntington, ART, and the Charles (Boston), the Guthrie (Minneapolis), Mark Taper Forum and LAAT (Los Angeles), Long Wharf (New Haven), and Ford's Theater and the Kennedy Center in D.C.   She’s worked on Broadway (Best Friend), Off-Broadway (Dylan and Measure for Measure), and in numerous commercials and voiceovers, both national and local, as well as ten seasons of summer stock.  In Pittsburgh she has done three shows with PICT (The Dead, Hedda Gabler, and Major Barbara – in Pittsburgh and at the Galway Arts Festival), The Credeaux Canvas with City Theatre, The Crucible and Le Grand Meaulnes for Quantum, Comedy of Errors at the Pittsburgh Public, and Shear Madness for the CLO Cabaret Theater.  Ms. Sonnichsen began teaching acting at Carnegie Mellon in 1995, and is even busier now that she’s recently retired.

About Erika Cuenca (Amanda): Erika is so very happy to be back at Off The Wall, working with such an awesome group of people.  Her OTW credits include The Zero Hour, Gruesome Playground Injuries, The Other Place, Shaken & Stirred, The House of Yes, Stop Kiss, The Club, Agnes of God, Four Dogs and a Bone, and How I learned to Drive. Locally, she has also worked with The Pittsburgh Playhouse Repertory Co., City Theatre, Quantum Theatre, Pittsburgh Playwrights, and Pittsburgh Irish and Classical Theatre.  Erika is a graduate of The Conservatory of Performing Arts of Point Park College, and serves as Assistant Artistic Director of Off The Wall Productions.

Comments

Post a Comment

Popular posts from this blog

Celebrating family and friends in 2019

Image
Thank you for making 2018 so special As 2019 starts to gear up, we’re left remembering the many moments we’ve shared with you in 2018. It was a great year and we hope to make 2019 even better! We sincerely offer our most heartful ‘thank you’ to our creative partners, patrons, employees, and collaborators – Carnegie Stage and off the WALL surely wouldn’t be the same without every single one of you who make up our humble little community. From the bottom of our hearts, we’re happy to have you as part of our family. Erika Cuenca - Virginia Wall Gruenert Byhalia, Mississippi, May 2018 If you’d like to join the Carnegie Stage/off the WALL family, consider donating – no amount it too big or too small… and every little bit helps! With your help we are able to pay EVERY single person who works for us – there are no volunteers; only paid employees. We believe all working artists deserve to make a living doing what they love. To help support our cause, consider donating monthly or a
Read more

God bless us, every one

Image
A Christmas Carol unlike you’ve ever experienced... “Storytelling at its absolute finest.” - Pittsburgh City Paper “... a truly transformative evening” The Pittsburgh Current "A Christmas Carol at Carnegie Stage Gets Dickens Right" PGH Lesbian Correspondents Written by: Brianne Mueller We’re approaching week three of our run of A CHRISTMAS CAROL and it’s been a wonderful whirlwind experience. The newest version of this classic Charles Dickens tale -- performed and adapted by Mark Coffin, and directed and co-adapted by Heidi Mueller Smith -- is unlike any theatrical journey to have ever graced a stage in Pittsburgh, let alone in Carnegie. Mark Coffin - A Christmas Carol Photo by Heather Mull The 1843 novella written by Charles Dickens has been adapted from page to stage countless times and has practically become synonymous with the American Christmas season. Unlike its many predecessors, Coffin manifests all 16 or so characters in his one-man version of the pl
Read more

Women Count at at off the WALL

WOMEN COUNT In case you missed the theatre industry’s gender parity movement, here’s a recap: women have been writing plays for millennia and landing productions for centuries.   Over time, they’ve also come to play key roles onstage and backstage.   But female theatre artists of all kinds still find themselves bonking their heads on a glass ceiling known as the “glass curtain.”   Even today, female playwrights, directors, and designers are atypical.   Shakespearian gender-swapping has been mooted as a partial solution; however, such theatrical “novelty” only serves to distract from the main issue – the absence of contemporary dramas reflecting the complexity of women’s lives.   Cross-gender casting fails to question the over-representation of dead and living male playwrights.   It does not address the fact that half our contemporary creative world is missing. In an essay in howlround.com, Jenny Lyn Bader writes: “We live in a world dominated by male imagination. (Men) writ
Read more