Paradox of Existence

Weston Blakesley and Erika Cuenca  -
Photo by Heather Mull
A Feminine Ending is a play about a young woman, Amanda, who knows what she wants, but just isn’t sure how to go about getting it.  She finds herself torn between dreams.  Dreams of being in love with her almost-famous fiancé Jack, dreams of living a simple life with her high school sweetheart Billy, and dreams of becoming a famous composer.

While Amanda struggles with those decisions common for many young women, her mother and father struggle with their own challenges in their long-term marriage.  Amanda begins to see her potential future, as her father, David, ruminates about the paradox of existence as it relates to aging.  We can’t avoid aging, yet as the years go by the aging process seems to sneak up on us.  Are we to act the age we feel or must we adapt to act the age that others perceive us to be?

So whether you consider yourself young, old or somewhere in between, you'll be able to relate with this storyline.  The pace of this play is quick and time flies by; however, by the end, chances are you’ll feel more alive, younger and ready to chase your dreams!


A Feminine Ending
Written by Sarah Treem.  Directed by: Matt M. Morrow
February 28 to March 15, 2014
Click here to learn more or to purchase tickets.

Off The Wall | Pittsburgh Theater - Broadway Magic
Only 6 miles from downtown.  Parking is free.
Enjoy a beverage from The Carnegie Coffee Company before the show.

Starring: Erika Cuenca, Ingrid Sonnichsen, Andrew Wind,
Shaun Cameron Hall, and Weston Blakesley
About Weston Blakesley (David): Weston arrived in Pittsburgh August of 2012 and was welcomed into the company of August: Osage County at The Rep.  Last fall he appeared as Constable Warren in the Public’s production of Our Town.  In between he played George in Moon Over Buffalo at The Theater Factory in Trafford.  Prior to moving to Pittsburgh he spent 18 years in Los Angeles.  Movies include Gus the barber in Pleasantville, the title character in the horror movie The Mangler Reborn and numerous low budget features that will never be available on Netflix (he hopes).  TV credits include “The West Wing,” “iCarly,” “Monk,” “Chuck,” and “In Living Color”.  Favorite theater performances; The Tempest in Miami, Little Murders in Stockholm, Sweden,  How to Explain The History of Communism to Mental Patients in Edinburgh, Scotland and  Much Ado About Nothing at a little winery in the Santa Ynez valley, delicious.

Comments

Post a Comment

Popular posts from this blog

Women Count at at off the WALL

WOMEN COUNT In case you missed the theatre industry’s gender parity movement, here’s a recap: women have been writing plays for millennia and landing productions for centuries.   Over time, they’ve also come to play key roles onstage and backstage.   But female theatre artists of all kinds still find themselves bonking their heads on a glass ceiling known as the “glass curtain.”   Even today, female playwrights, directors, and designers are atypical.   Shakespearian gender-swapping has been mooted as a partial solution; however, such theatrical “novelty” only serves to distract from the main issue – the absence of contemporary dramas reflecting the complexity of women’s lives.   Cross-gender casting fails to question the over-representation of dead and living male playwrights.   It does not address the fact that half our contemporary creative world is missing. In an essay in howlround.com, Jenny Lyn Bader writes: “We live in a world dominated by...
Read more

GHOSTS: A SET IN THE MAKING (PART 1)

Image
In this two-part blog, I’m going to focus not on the play itself, but on the set. Why? Because quite simply the set is astonishing! If you’ve been keeping up with our blogs, you already know that our current production Ghosts is set in the early 1880’s, that it was written by Norwegian playwright Henrik Isben and that though it is a revered classic today, it was considered absolutely scandalous in its time. The exposed secrets and immoralities conflicted with society’s moral taboos. If you’d like to learn more about the history of the play, the storyline, the characters or director, please peruse our recent posts. Scenic Design: Rich Preffer In the meantime, let’s take a look at the set. The set design, by Rich Preffer, captures the essence of the play. The mood. The character. The unsaid meanings and implications. The set itself includes a cage like structure, including a canopy structure, which encompasses the entire set. Looking at the set, you at once feel both the sense of h...
Read more

Celebrating family and friends in 2019

Image
Thank you for making 2018 so special As 2019 starts to gear up, we’re left remembering the many moments we’ve shared with you in 2018. It was a great year and we hope to make 2019 even better! We sincerely offer our most heartful ‘thank you’ to our creative partners, patrons, employees, and collaborators – Carnegie Stage and off the WALL surely wouldn’t be the same without every single one of you who make up our humble little community. From the bottom of our hearts, we’re happy to have you as part of our family. Erika Cuenca - Virginia Wall Gruenert Byhalia, Mississippi, May 2018 If you’d like to join the Carnegie Stage/off the WALL family, consider donating – no amount it too big or too small… and every little bit helps! With your help we are able to pay EVERY single person who works for us – there are no volunteers; only paid employees. We believe all working artists deserve to make a living doing what they love. To help support our cause, consider donating monthly or a...
Read more