In this two-part blog, I’m going to focus not on the play itself, but on the set. Why? Because quite simply the set is astonishing! If you’ve been keeping up with our blogs, you already know that our current production Ghosts is set in the early 1880’s, that it was written by Norwegian playwright Henrik Isben and that though it is a revered classic today, it was considered absolutely scandalous in its time. The exposed secrets and immoralities conflicted with society’s moral taboos. If you’d like to learn more about the history of the play, the storyline, the characters or director, please peruse our recent posts. Scenic Design: Rich Preffer In the meantime, let’s take a look at the set. The set design, by Rich Preffer, captures the essence of the play. The mood. The character. The unsaid meanings and implications. The set itself includes a cage like structure, including a canopy structure, which encompasses the entire set. Looking at the set, you at once feel both the sense of h...
WOMEN COUNT In case you missed the theatre industry’s gender parity movement, here’s a recap: women have been writing plays for millennia and landing productions for centuries. Over time, they’ve also come to play key roles onstage and backstage. But female theatre artists of all kinds still find themselves bonking their heads on a glass ceiling known as the “glass curtain.” Even today, female playwrights, directors, and designers are atypical. Shakespearian gender-swapping has been mooted as a partial solution; however, such theatrical “novelty” only serves to distract from the main issue – the absence of contemporary dramas reflecting the complexity of women’s lives. Cross-gender casting fails to question the over-representation of dead and living male playwrights. It does not address the fact that half our contemporary creative world is missing. In an essay in howlround.com, Jenny Lyn Bader writes: “We live in a world dominated by...
Be sure to catch the world premiere of the newest production at our theater. Admission , it’s is all about the sisterhood! Every woman is unique, but every woman is part of something larger – the sisterhood. Through creative choreographing and movement, Elisa-Marie Alaio and the fireWALL dancers emote the power to behold when women come together and support each other; the power of literally lifting each other up. Then, and only then, can women truly meet their full potential. These creative work of art is sure to resonate with you. “SISTERHOOD” Grace & Sara Cohen There is space within sisterhood for likeness and difference, for the subtle differences that challenge and delight… Christine Downing Fun Tidbit: Within this sisterhood is a real ‘sister act’ – Grace and Sara Cohen are visiting artists from New York. Be sure to visit their profiles along those of all our dancers below. We are thrilled to have Grace & Sara join us for the world premiere of this dan...
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