In this two-part blog, I’m going to focus not on the play itself, but on the set. Why? Because quite simply the set is astonishing! If you’ve been keeping up with our blogs, you already know that our current production Ghosts is set in the early 1880’s, that it was written by Norwegian playwright Henrik Isben and that though it is a revered classic today, it was considered absolutely scandalous in its time. The exposed secrets and immoralities conflicted with society’s moral taboos. If you’d like to learn more about the history of the play, the storyline, the characters or director, please peruse our recent posts. Scenic Design: Rich Preffer In the meantime, let’s take a look at the set. The set design, by Rich Preffer, captures the essence of the play. The mood. The character. The unsaid meanings and implications. The set itself includes a cage like structure, including a canopy structure, which encompasses the entire set. Looking at the set, you at once feel both the sense of h...
Lisa Ann Goldsmith, Elizabeth Ruelas Photo by Heather Mull Do you ever feel that you are not completely happy, that you are not able to feel joy in all areas of your life? Do you ever limit yourself to certain activities because you fear the break in your mundane routine? Do you limit your way of thinking for fear of feeling uncomfortable? Unless one is fully living the self-actualized life, we all have fears that we are running from in life. Some may be so small, but still affect how we think, feel, and react. We may not even notice that these fears are affecting the quality of our lives. Other fears are so significant, that we can’t ignore the symptoms. We feel the unhappiness, we feel the sense of inadequacy, we may even be questioning our course in life. We may, in fact, even feel fearful. Fearful of what life is bringing our way, fearful of what might happen, fearful of what others might think, fearful of what will be if we succumb to this thing which we our...
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